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slash fiction
Slash fiction is a genre of fan fiction that focuses on interpersonal attraction and sexual relationships between fictional characters of the same sex.〔Bacon-Smith, Camille. "Spock Among the Women." New York Times Sunday Book Review, November 16, 1986.〕 While the term was originally restricted to stories in which male media characters were involved in an explicit sexual relationship as a primary plot element (also known as "slash" or "m/m slash"), it is now used to refer to any fan story containing a pairing between same-sex characters. Many fans distinguish female-focused slash as a separate genre, commonly referred to as femslash (also known as "f/f slash", "femmeslash", "altfic" and "saffic"). The characters are usually not engaged in such relationships in their respective fictional universes.〔
==History==
It is commonly believed that current slash fanfiction originated within the ''Star Trek: The Original Series'' fan fiction fandom, with "Kirk/Spock" stories – generally authored by female fans of the series – first appearing in the early 1970s.〔
The name arises from the use of the slash symbol (/) in mentions in the late '70s of K/S (meaning stories where Kirk and Spock had a romantic (often sexual ) relationship) as compared to the ampersand (&) conventionally used for K&S or Kirk and Spock ''friendship'' fiction. For a time both ''slash'' and ''K/S'' (for "Kirk/Spock") were used interchangeably. Slash later spread to other fandoms, first ''Starsky and Hutch'', ''Blake's 7'', and ''The Professionals'', then many others, eventually creating a fandom based around the concept of slash.〔Boyd, Kelly (2001) ("One index finger on the mouse scroll bar and the other on my clit" : slash writers' views on pornography, censorship, feminism and risk )〕〔Henry Jenkins, with Cynthia Jenkins and Shoshanna Green,"'(The Normal Female Interest in Men Bonking': Selections from Terra Nostra Underground and Strange Bedfellows ),"in Cheryl Harris and Alison Alexander (eds.) Theorizing Fandom: Fans, Subculture, and Identity (Hampton Press, 1998).〕 Many early slash stories were based on a pairing of two close friends, a "hero dyad" or "One True Pairing" such as Kirk/Spock or Starsky/Hutch; conversely, a classic pairing between foils was that of Blake/Avon from ''Blake's 7''.〔
The first K/S stories were not immediately accepted by all Trek fans.〔Jenna Sinclair, (Short History of Kirk/Spock Slash ). Retrieved 2008-06-30.〕 Later, authors such as Joanna Russ studied and reviewed the phenomenon in essays and gave the genre more academic clout.〔Russ, Joanna, "Pornography by Women for Women, With Love" in her book, ''Magic Mommas, Trembling Sisters, Puritans & Perverts''. New York: The Crossing Press: 1985.〕〔Penley, Constance, "Feminism, Psychoanalysis,and the Study of Popular Culture." In Grossberg, Lawrence, ed., ''Cultural Studies'', Rutledge 1992, p. 479. A detailed examination of K/S in terms of (among many other things) feminism and feminist studies.〕 From there, increasing tolerance and acceptance of homosexuality and frustration with the portrayal of gay relationships in mainstream media fed a growing desire in authors to explore the subjects on their own terms using established media characters. ''Star Trek'' remained an important slash fiction fandom, while new slash fandoms grew around other television shows, movies, and books with sci-fi or action adventure roots.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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